Monday, May 6, 2013

Iterations: A Youthful Rebellion Against The Permanence Of Facebook's Walled Garden

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Facebook?s mission is to make the world more open and connected. Indeed, great things can come from this, and for many of its one billion users, Facebook isn?t just on the web -- it is the web. It is where images, biographical data, and every speck of a connection to a person, place, or thing lives, both the dream of a doting family spread miles apart and a marketer close by. It is a place where generations of people now reside, hang out, fawn over public statuses and peek into the lives of others. Ironically, while Facebook?s aim is to make the world more open, they themselves are building a new web within their own closed garden, inaccessible and (mostly) unexportable to all. As the saying states, ?what goes on the Internet is written in ink,? so what goes onto Facebook is etched in stone walls.

Source: http://feedproxy.google.com/~r/Techcrunch/~3/oxG3Whw73uM/

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World Photo Caption Contest: Giant Rubber Duck In Hong Kong

  • A giant Rubber Duck created by Dutch artist Florentijn Hofman is towed along Hong Kong's Victoria Habour Thursday, May 2, 2013. Since 2007 the 16.5-meter (54-foot)-tall Rubber Duck has traveled to various cites including Osaka, Sydney, Sao Paulo and Amsterdam. (AP Photo/Vincent Yu)

  • The 16.5-metre-tall inflatable Rubber Duck art installation is seen at the Victoria Harbour in Hong Kong on May 2, 2013. The inflatable duck by Dutch artist Florentijn Hofman will be on display in the former British colony until June 9. (PHILIPPE LOPEZ/AFP/Getty Images)

  • The 16.5-metre-tall inflatable Rubber Duck art installation is seen at the Victoria Harbour in Hong Kong on May 2, 2013. The inflatable duck by Dutch artist Florentijn Hofman will be on display in the former British colony until June 9. (PHILIPPE LOPEZ/AFP/Getty Images)

  • The 16.5-metre-tall inflatable Rubber Duck art installation is seen at the Victoria Harbour in Hong Kong on May 2, 2013. The inflatable duck by Dutch artist Florentijn Hofman will be on display in the former British colony until June 9. (PHILIPPE LOPEZ/AFP/Getty Images)

  • The 16.5-metre-tall inflatable Rubber Duck art installation is seen at the Victoria Harbour in Hong Kong on May 2, 2013. The inflatable duck by Dutch artist Florentijn Hofman will be on display in the former British colony until June 9. (PHILIPPE LOPEZ/AFP/Getty Images)

  • The 16.5-metre-tall inflatable Rubber Duck art installation is seen at the Victoria Harbour in Hong Kong on May 2, 2013. The inflatable duck by Dutch artist Florentijn Hofman will be on display in the former British colony until June 9. (PHILIPPE LOPEZ/AFP/Getty Images)

  • The 16.5-metre-tall inflatable Rubber Duck art installation is seen at the Victoria Harbour in Hong Kong on May 2, 2013. The inflatable duck by Dutch artist Florentijn Hofman will be on display in the former British colony until June 9. (PHILIPPE LOPEZ/AFP/Getty Images)

  • A giant Rubber Duck created by Dutch artist Florentijn Hofman is towed along Hong Kong's Victoria Habour Thursday, May 2, 2013. Since 2007 the 16.5-meter (54 feet)-tall Rubber Duck has traveled to various cites including Osaka, Sydney, Sao Paulo and Amsterdam. (AP Photo/Vincent Yu)

  • The 16.5-metre-tall inflatable Rubber Duck art installation is seen at the Victoria Harbour in Hong Kong on May 2, 2013. The inflatable duck by Dutch artist Florentijn Hofman will be on display in the former British colony until June 9. (PHILIPPE LOPEZ/AFP/Getty Images)

  • A giant Rubber Duck created by Dutch artist Florentijn Hofman is towed along Hong Kong's Victoria Habour Thursday, May 2, 2013. Since 2007 the 16.5-meter (54 feet)-tall Rubber Duck has traveled to various cites including Osaka, Sydney, Sao Paulo and Amsterdam. (AP Photo/Vincent Yu)

  • A 16.5-meter(650-inch)-high giant Rubber Duck created by Dutch artist Florentijn Hofman is towed along Hong Kong's Victoria Habour Thursday, May 2, 2013. Since 2007 the Rubber Duck has traveled to various cites including Osaka, Sydney, Sao Paulo and Amsterdam. (AP Photo/Vincent Yu)

  • A giant Rubber Duck created by Dutch artist Florentijn Hofman is towed along Hong Kong's Victoria Habour Thursday, May 2, 2013. Since 2007 the 16.5-meter (54-feet)-tall Rubber Duck has traveled to various cites including Osaka, Sydney, Sao Paulo and Amsterdam. (AP Photo/Kin Cheung)

  • A giant Rubber Duck created by Dutch artist Florentijn Hofman is towed along Hong Kong's Victoria Habour Thursday, May 2, 2013. Since 2007 the 16.5-meter (54-f44t)-tall Rubber Duck has traveled to various cites including Osaka, Sydney, Sao Paulo and Amsterdam. (AP Photo/Kin Cheung)

  • Florentijn Hofman

    Dutch artist Florentijn Hofman poses with his creation, a giant Rubber Duck in Hong Kong Thursday, May 2, 2013. Since 2007 the 16.5-meter (54-feet)-tall Rubber Duck has traveled to various cites including Osaka, Sydney, Sao Paulo and Amsterdam. (AP Photo/Kin Cheung)

  • Dutch artist Florentijn Hofman's giant Rubber Duck enters Cockle Bay Wharf on opening day of the Sydney Festival January 5, 2013 in Sydney, Australia. Sydney festival opening, previously 'Sydney Festival First Night', was scaled back from previous years, when crowds reached as many as 60,000 for the launch. (Photo by Marianna Massey/Getty Images)

  • Dutch artist Florentijn Hofman's giant Rubber Duck enters Cockle Bay Wharf on opening day of the Sydney Festival January 5, 2013 in Sydney, Australia. Sydney festival opening, previously 'Sydney Festival First Night', was scaled back from previous years, when crowds reached as many as 60,000 for the launch. (Photo by Marianna Massey/Getty Images)

  • Dutch artist Florentijn Hofman's giant Rubber Duck enters Cockle Bay Wharf on opening day of the Sydney Festival January 5, 2013 in Sydney, Australia. Sydney festival opening, previously 'Sydney Festival First Night', was scaled back from previous years, when crowds reached as many as 60,000 for the launch. (Photo by Marianna Massey/Getty Images)

  • Dutch artist Florentijn Hofman's giant Rubber Duck enters Cockle Bay Wharf on opening day of the Sydney Festival January 5, 2013 in Sydney, Australia. Sydney festival opening, previously 'Sydney Festival First Night', was scaled back from previous years, when crowds reached as many as 60,000 for the launch. (Photo by Marianna Massey/Getty Images)

  • A giant 50 foot rubber duck floats down the Thames to celebrate the launch of Jackpotjoy.com's new Facebook Fundation, a bursary granting funds and rewards for daft ideas to encourage Brits to have more fun.

  • A giant 50 foot rubber duck floats down the Thames to celebrate the launch of Jackpotjoy.com's new Facebook Fundation, a bursary granting funds and rewards for daft ideas to encourage Brits to have more fun.

  • Source: http://www.huffingtonpost.com/2013/05/05/world-photo-caption-contest-giant-rubber-duck-in-hong-kong_n_3219959.html

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    Saturday, May 4, 2013

    Disney pulls out of Bangladesh in wake of factory tragedy

    The Walt Disney Co. is pulling out of Bangladesh and several other developing countries, in part because of fatal accidents in factories that produced branded merchandise for Western firms.

    Announcement of the move follows last week?s collapse of a Bangladesh garment factory building, a tragedy that may be the worst such accident in world history. The official death toll is now more that 500 and keeps climbing as rescue workers continue the slow process of working through building rubble.

    Disney officials said their pull-out decision was actually made in March, after a fire in a Bangladesh factory last November that killed more than 100. The company has told licensees that it wants to phase out production of Disney-brand items made in Bangladesh, Pakistan, Belarus, Ecuador, and Venezuela.

    RECOMMENDED: Think you know Asia? Take our geography quiz.

    Disney said it relied on World Bank Governing Indicators, which measure rule of law, corruption, and other national characteristics, to help make its decision.

    ?After much thought and discussion we felt this was the most responsible way to manage the challenges associated with our supply chain,? said Bob Chapek, president of Disney Consumer Products, according to a CNN report.

    Are Western firms such as Disney, the Gap, and Benetton in part responsible for the conditions that lead to these tragedies in low-wage nations? Disney?s move shows that some feel their reputations are at risk, at the least, if they are tied too closely to foreign workplace tragedies.

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    Customers may avoid brands they suspect of abetting worker abuse. And a number of international nongovernment organizations today stand ready to publicize poor conditions found in factories linked to major nation retail brands.

    But these NGOs don?t necessarily want their pressure to result in pull-outs. They want corporations to use their economic muscle to improve conditions.

    The Washington-based Workers Rights Consortium, for instance, says it works with big companies and their foreign licenses to try to remedy problems before issuing public reports.

    ?The WRC views ?cutting and running? from a factory as a serious abrogation of a licensee?s responsibilities,? says the group in a statement.

    Worker groups often want foreign firms to stay to preserve jobs and economic development. Some experts say the blame for tragedies such as the Bangladesh building collapse should be directed at local and national authorities who have the responsibility to protect their workers.

    ?By misassigning the responsibility for the recent tragedies to global retailers, western media and consumer movements allow the real culprits to get away scot-free and further diminish the likelihood of governance reform in poor countries,? wrote Jagdish Bhagwati, senior fellow for international economics at the Council on Foreign Relations, and Amrita Narlikar, director of the Center for Rising Powers at the University of Cambridge, last month in the British magazine Prospect.

    Other experts put the problem in a larger political frame. The real problem in Bangladesh has been the complex trade apparatus erected by the US, which consumes most of the cheap clothing produced in developing nations, wrote Mallika Shakya, an assistant professor of sociology at South Asian University in Delhi, in the Indian newspaper The Hindu.

    Between 1974 and 2004, the US Multi-Fiber Arrangement virtually dictated, item by item, the amount of clothing that third-world countries could export to the US, according to Ms. Shakya. Potential rivals to America such as China got small quotas, while Bangladesh and other unprepared nations got large ones.

    The result was that Bangladeshi authorities could not keep up with the explosive growth of their country's garment industry.

    ?That is a reason why most factory buildings are found to be built haphazardly, without acquiring the necessary clearance from state agencies,? wrote Ms. Shakya.

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    Source: http://news.yahoo.com/disney-pulls-bangladesh-workers-safer-152340191.html

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    What Is the Prettiest Gadget You Own?

    Even the prettiest gadgets can still suck. But that said, there's something to be said for devices that are just easy on the eyes, and if they're good too, that's a bonus. Show us the prettiest gadget you've got hanging around. Or, if you're living in a trash-heap or something, what's the prettiest one you aspire to someday own?

    Source: http://gizmodo.com/what-is-the-prettiest-gadget-you-own-491022320

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    Gadget Lab Show: Kobo Ups Its E-Reader Game and Vine Goes Full Frontal

    Gadget Lab Show: Kobo Ups Its E-Reader Game and Vine Goes Full Frontal
    On the latest episode of the show, staff writers Christina Bonnington and Roberto Baldwin stare at the screen of the new Kobo Aura HD e-reader and the front-camera support update of the Vine app.

    Source: http://feedproxy.google.com/~r/GearFactor/~3/W6wwPDHHF5I/

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    Jury in Philadelphia abortion doctor case deliberates for fourth day

    By Dave Warner

    PHILADELPHIA (Reuters) - A Philadelphia jury began a fourth day of deliberations on Friday in the murder trial of a doctor accused of killing babies and a patient during late-term abortions at a clinic serving low-income women.

    Dr. Kermit Gosnell, 72, who ran the now-shuttered Women's Medical Society Clinic, could face the death penalty if convicted by the jury, in Common Pleas Court in Philadelphia.

    The case focuses on whether the infants were born alive and then killed.

    The seven-woman, five-man jury heard five weeks of testimony before starting the deliberation process on Tuesday.

    Gosnell is charged with four counts of first-degree murder for delivering live babies during late-term abortions and then deliberately severing their spinal cords, prosecutors said.

    The charges have fueled the debate in the United States about late-term abortions.

    It is legal in Pennsylvania to abort a fetus up to 24 weeks into a pregnancy. Gosnell also faces charges that he performed 24 abortions beyond 24 weeks.

    Nine states ban abortions after 20 weeks, according to the abortion rights group NARAL. Other states recently put new restrictions on abortions, with Arkansas banning them at 12 weeks and North Dakota at six weeks.

    Most abortions, 92 percent, are performed before 14 weeks, according to the Centers for Disease Control and Prevention, and 1.3 percent are performed beyond 20 weeks.

    Judge Jeffrey Minehart told the jury that state law defines a live baby as one that is fully expelled from the mother and showing signs of life such as breathing, heart beat or movement.

    If a baby shows those signs, he said, "That baby is a human being."

    Gosnell's defense contends there is no evidence the babies were alive after they were aborted. In his closing argument, defense lawyer Jack McMahon cited the medical examiner's testimony that none of the 47 fetuses tested randomly from the clinic had been born alive.

    Assistant District Attorney Edward Cameron said in his closing argument that witnesses testified that one of the aborted babies was breathing before its neck was cut, another made a whining sound and another moved its arms and legs.

    Testimony depicted a filthy clinic serving mostly low-income women in a largely black community. McMahon said Gosnell wanted to help the under-privileged community.

    Gosnell is also charged with murdering Karnamaya Mongar, 41, of Virginia, who died from a drug overdose after going to him for an abortion, prosecutors said.

    Gosnell, who has been in jail since his January 2011 arrest, is on trial with Eileen O'Neill, a medical school graduate accused of billing patients and insurance companies for clinic services as if she were a licensed doctor.

    Eight other defendants have pleaded guilty to a variety of charges and are awaiting sentencing. They include Gosnell's wife, Pearl, a cosmetologist who helped perform abortions.

    (Editing by Ellen Wulfhorst)

    Source: http://news.yahoo.com/jury-philadelphia-abortion-doctor-case-deliberates-fourth-day-135932811.html

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